“Candid and catchy.. between Wall of Voodoo’s Stan Ridgway, The Fall and more folk-pop territory with The Doors also a likely deeper influence” – Big Takeover Magazine
“Brilliant offering, loaded with optimism and wit. This lush and highly memorable music calls to mind other local bands like The Railway Children and Echo & The Bunnymen… gives every indication of a band that is going places” – Louder Than War
“With delta blues riffs and a style that burrows deep into the subconsciousness like Iggy’s ‘Passenger’, it’s a insidious cut” – God is in the TV
“The Room in the Wood play their new set out of their sonic window, and the result is not only rich and diverse, but also significant” – The Record Stache
“This music transports you to some time in the past – a wonderful time… Here we see an enticing palette of progressive and alternative pop, mixed with folk tales and sultry post-punk. The Room in the Wood do so fabulously. Bravo!” – The Spill Magazine
Lead track ‘Mars (Won’t Save Us)’ is a riff-based psyche rocker focused on the foolishness of Elon Musk’s ideas about colonising the Red Planet. We are reminded “Mars won’t save us. Mars has no air.” It is accompanied by a psychedelic video composition by ex-Send No Flowers and Moongoose collaborator Mark Jordan.
“We went in the studio to record some tracks and came up with ‘Mars (Won’t Save Us)’, which was a riffy departure from most of our debut album. Lyrically it’s a flat statement that Mars is not a viable option for emigration,” says Dave Jackson.
Band members Paul Cavanagh and Dave Jackson are once again working together after a huge gap since their post-punk band The Room split back in 1985. After reuniting, this past year has seen them write over 30 new songs.
Featuring contributions by drummer Colin George Lamont (Mark Lanegan, Dave Gahan), this album was recorded by Steve Powell (Michael Head & the Red Elastic Band) at his Liverpool-based Ark Studio and mastered by Pete Maher (Barry Adamson, The Alarm).
“‘Every Lie’ is a bluesy, countrified stomper bemoaning the rise of the populist right, and inspired by the late great Johnny Cash – this is a response to Trump and Brexit. ‘Get Clear’ a Spanish guitar-tinged ballad extolling the virtues of escaping cult thinking. It follow ups our song ‘Magical Thinking’, but is sung to a friend escaping some dogmatic cult,” says Dave Jackson.
“Time Machine’ is another vaguely sci-fi rumination, wistfully reflecting on the passage of time filtered through the vision of HG Wells. We thought that ‘Mars’ and ‘Time Machine’ gave the EP a science fiction edge and Mark Jordan’s video reflects that,” says Paul Cavanaugh.
Dave Jackson has been writing and recording since his teens – with The Room, 051, Benny Profane, Dust, Dead Cowboys, as Dave Jackson & The Cathedral Mountaineers, and also with former Shack guitarist John Head. He has recorded and released 10 albums with these various incarnations, notched up 7 John Peel sessions with The Room and Benny Profane, and has also appeared on the Whistle Test, Janice Long and Saturday Live.
Jackson has also toured the UK, Europe and the USA extensively with The Fall, The Violent Femmes, Aztec Camera, The Lemonheads and The Wedding Present. He currently teaches creative writing at Liverpool John Moores University and has developed his novel ‘Violet City’ as a low-budget fantasy feature film.
Apart from The Room, Paul Cavanagh has performed as a solo instrumentalist as Cabin in the Woods and as one of Mike Badger’s Shady Trio. He worked with The Room drummer Alan Wills at Deltasonic Records with The Coral and The Zutons. Paul has also recorded 4 John Peel sessions and released albums with Top, It’s Immaterial, Moongoose, as well as critically acclaimed singles with Gloss. He also played guitar for Chinese Religion, The Balcony and Ludus.
A Turntable Friend Records is an independent record label. currently in its second life. Based in Germany with distribution through SRD (Southern Record Distributors) and Rough Trade, their mission is to keep vinyl alive while casting light on sonic gems of yesteryear and today. 1990s peers of Sarah Records and Slumberland Records, ATF Records has always had a roster as diverse as Secret Shine, The Wolfhounds, Boyracer (with Even As We Speak), The Claim, The Ropers, the Hellfire Sermons, Lorelei, Bradford, Easy and Dose.
1. Mars (Won’t Save Us)
2. Time Machine
3. Every Lie
4. Get Clear
Written and performed by Dave Jackson and Paul Cavanagh
Recorded at Ark Studio Liverpool
Steve Powell – recording, mixing and engineering
Pete Maher – mastering
Dave Jackson – lyrics and vocals
Paul Cavanagh – guitar and bass
Colin George Lamont – drums
Mark Jordan video and cover images, using band footage by Yvonne Marsden
Catalogue number: TURN60D
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