Editors – An End Has A Start: Retrospective by Mark McConville

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Editors – An End Has A Start: Retrospective.

When beauty in music shrouds the world’s pain and its destructive nature, it’s a major success story. When music ripples through your thoughts and makes you see that it can be a lifeline, is a magical feeling. And music is ultimately a gateway to wider terrains and landscapes, even when you’re sitting in your generic room, listening through earphones and mimicking your favorite singer/artist. Music also sets us free, it makes us become live wires and it can calm our restless hearts. From punk to pop, the music we choose isn’t always about trends, it’s about how it affects us. Emotions trickle in, heartfelt lyrics bend our minds, and noise consumes us. Through time, we hear certain songs in bars and dingy party halls at the edge of sunrise, singing to the beat of our feet, and saying to ourselves ‘’This Song Has Saved My Life’’

In 2007, a band named Editors descended back into the music melting pot. The act, were no strangers at recording albums. Their debut record, The Back Room, which was released in 2005, catapulted them into the limelight as a band to scrutinize for good reason. That album catered to the rock faithful and blew the roof off. For a debut record, it spawned many singles, placing a band, which came from humble settings, into a grandiose way of life.

But, it would be their second release that sparked a revolution, and made the outfit a household name. An End Has A Start was the prize. A collection of emotional dreams populated with infectious hooks and lyrical spontaneity. Leading man Tom Smith sang astutely, bellowing out his grievances like tales of unrest, and turning musical gears smoothly. He’s a lyrical master, and on An End Has A Start, his inspiration spiked, forming written artistry which eclipsed the brilliance of The Back Room.

How could they surpass such expertly crafted songs? Well, by adding measure and substance, and thought-provoking synergy, that’s how. And little notes of post-punk and rock charms were instilled too, making the album a showstopper. Every track had a beating heart, every piece had been drawn from incredible minds.

These minds all clashed in an honest way and An End Has A Start birthed a new chapter for Editors. All the songs on the album resonated profoundly, certifying the band as a major player. ‘’Smokers Outside The Hospital Door’’ kick-started the record poignantly and delivered lyrics that highlighted desperation and hardship. Smith, as the singer, sang with the utmost desire to pass his point across through all the static noise. He outdid himself lyrically, calling on his devices and mind, to create a masterful spark of reason. The instrumental aspect of the album is astounding also, as the drums beat like hearts and the guitars come alive.

Single number two, An End Has A Start kept the album moving. It is a wonderful, emotional, compelling track. Smith sang diligently as always and his lyrical ability shined brightly. He vocalized his feelings describing a broken world and angels and demons. It is one of the most astutely created tracks in the rock world. Sublime in its execution.

And every rock album has its swansong. And this record was no different. ‘’Push Your Head Towards The Air’’ rattled the cage of ignorance and drowned out the arrogance. It was a magical moment. Smith’s voice was ludicrously good and lyrically it spoke like a dignified angel. It conjured up a feeling of hope when it was dead. A drastically different track by Editors, a track of vulnerability.

An End Has A Start was an emotional album brimming in lyricism and rhythm beyond your bog standard release. It struck the core of anguish and left the listener breathless. Musically assertive, the opus ingrained normality and augmented it to the next level.