A while back Carol Borden of the Cultural Gutter hepped me to the 1962 film version of this novel which I absolutely raved over. I finally got around to reading the novel and I’m happy to say it’s great fun, too.
The 2006 Kurodahan Press edition, translated by Ian Hughes, includes The Black Lizard and Beast in the Shadows (1928). There’s an introduction by Mark Schreiber that offers a good overview of the author born Hirai Tar?, his works and his influence, including real life criminals writing sarcastic letters to the police and signing themselves as characters from his novels.
Is there a better tribute to a crime writer?
The Black Lizard is a jewel thief with an almost orgasmic desire for shiny stones. In the opening chapter on Christmas Eve, the criminal mastermind dances in her private club with ecstatic pleasure clad only in her jewels, inflaming the desires of the men who will do anything she says. That’s useful because she’s set her black heart on obtaining the Star of Egypt, a colonial spoil that belongs to the leading jewel merchant in Tokyo.
Her daring plan is to kidnap Iwase’s daughter at the ritzy Kei? Hotel, then force him to give up the jewel to get her back. The queenpin is so arrogant that she writes him anonymous letters warning him what is going to happen and when. Iwase is disturbed and hires renowned detective Akechi Kogor? to safeguard his daughter. Akechi is confident that no one can get past his clever preparations. He even bets the stylish Madame Midorikawa that he will succeed. She pledges all her jewels that he won’t.
Of course Mme Midorikawa is just the Black Lizard in disguise and her clever preparations are even better than his. Disguises are the rule of the game and there are so many. Luck allows Akechi to find the daughter before she’s completely spirited away, but this makes the criminal mastermind even more determined.
Another even more daring plot is hatched and poor Sanae is kidnapped right from the Iwase home. The jeweler regretfully agrees to hand over the Star of Egypt at the top of a tower in a theme park. The place is deserted except for a stylish ‘genteel’ woman who of course reveals her true face. ‘The Black Lizard! She was a monster, a shape-shifter.’ But Akechi has a few tricks up his sleeve, too.
There’s a lot of excitement, more disguises, a moment when the Black Lizard has Akechi in her power and finds herself unexpectedly drawn to a mind that matches her own: ‘Driven by some strange emotion, she had the weird illusion that the man lying stretched out under her seat was not her enemy, but almost a lover.’
But jewels are the most important thing and we’re off to her secret underground lair that has jewels and a whole lot more—a most unusual ‘zoo’ that she plans to add poor Sanae to in a most interesting exhibit.
Great fun! Now to see the 1968 film…