Hotel Room Blues by Mark McConville

PhotoFunia-1590832754Hotel Room Blues…

Lifting the mood is this mundane hotel room would take effort. The sparkle in the beer has dissipated, and it has turned into a flat liquid. The curtains are shut to stave off the spies and onlookers. Those people are the fans and the disturbed, the maniacs and the fiends. Through time, these voices diminish, leaving a quiet, a silence so hurtful to the human mind, as demons appear as instigators. Meeting these visions could kill a heart, offloading them is an almighty task.

Stuck to the itchy sheets is a man developing thoughts in his blemished brain. A brain productive, but one that is overly melancholic. If you could pick it, you’d be thrown into a lion’s cage. A force to be reckoned with. It isn’t always a drug infused party in there; it is a bear pit. Blood trickles down the sides, fights break out, the heart of it owned by a queen of pain.

Guitars are layered up. Many of them played to their death. They’re vessels of sound, of bitterness, of chords, of blood. They keep the user sane enough to live, to walk, to dream. Over the course of the night, some are thrown off the walls, some are broken into intricate little pieces. But he’s not a fading artist. In this moment, he’s one of the most revered musicians, masterminding songs of dirty luck and teen spirit.

Smoke flurries through the noise. Paper notes are strewn everywhere. Lyrical bibles are open. The room is far from being holy. Ghosts are on the edges, phantoms ingrain the psyche. The walls aren’t fabricated, they’re paper-thin, and this useful music protector and innovator walks around in circles. His tongue is tied. His breathing fast, rapid at times, these walls are closing in and the blood surging through his body is curdling.

Injecting junk into his soul relieves this feeling of hopelessness. He’s lying next to his most beloved guitar, talking in tongues to himself. Diverting the noise of the interfering voices is impossible. He sees mannequins with black eyes transferring a power through the room. Little babies crawl across the ceiling, they’re demonic creatures, fastened to sadistic ways.

Under the bed. He can’t look under the bed. There will be something dark and vicious under there. The phantoms appear and gloat, their pretentious smirks and frightening tone of voice add to the atmosphere.

‘Go away, go away’ he says.

They carry on remarking and the pulsating power they have is ludicrous. The walls cascade like cards and this young man is confronted by a blonde girl. She’s attractive, and he’s saw her before. She carries a microphone and a guitar. He walks towards her but she crumbles into sand.

A screen, there’s a screen in the background. Within the screen, there is a crowd. They’re singing All Apologies at the top of their lungs.

Back in the room, the man opens his eyes. Standing there are two people close to him. One holding a bass guitar and the other holding drumsticks.

He’s groggy and shaky, but alive.