Dumpster Fire Press unleashes its first anthology…DEATH BY PUNK a tribute to the spirit of punk rock, DIY and counter culture, intermingled with good old fashioned writing about death with a bit of existential dread thrown in (ah, poets)Featuring poets, writers and artists from around the globe! Whether you want to relive glory days, looking to explore or even seeking ways to unfetter yourself from past lives to the here and now DEATH BY PUNK is a hell of a read! OI , OI, OI!
Perhaps no other major band or artist has equaled the lyrical and musical poignancy that Pink Floyd has achieved in landmark records such as The Dark Side of the Moon, Animals, Wish You Were Here, and The Wall.In this, the fourth installment in Gutter Books’ Rock Anthology Series, we pay tribute to, and hopefully in some small way enhance the legend of, a band that has spoken so compellingly to— and for—millions of people searching for meaning in the modern world.Featuring some of today’s most exciting authors, and edited by horror author and cancer survivor T. Fox Dunham, Coming Through in Waves weaves together a plethora of dark, strange, and intriguing images that only Pink Floyd could inspire.
TABLE OF CONTENTS
COME IN NUMBER 51, YOUR TIME IS UP – DBSCHLOSSER. A SAUCERFUL OF SECRETS – PAUL D. BRAZILL MOTHER – KIMBERLY GODWIN HAVE A CIGAR – FRASER MASSEY FEARLESS – LINDA SLATER HEY YOU – PHIL THOMAS ARNOLD LAYNE – BILL BABER BRAIN DAMAGE – TOM LEINS CAREFUL WITH THAT AXE, EUGENE – MARK SLADE HEART BEAT, PIG MEAT – KENNETH W. CAIN ONE OF THESE DAYS – JIM SHAFFER JUGBAND BLUES – C. W. BLACKWELL JULIA DREAM – MORGAN SYLVIA KEEP YOUR HANDS OFF MY STACK – RENEE ASHER PICKUP LUCIFER SAM – K. A. LAITY NOBODY HOME – JOSEPH S. WALKER ON THE RUN – S. W. LAUDEN REMEMBER A DAY – KURT REICHENBAUGH OBSCURED BY CLOUDS – ALLAN ROZINSKI THE SCARECROW – KAREN KEELEY WISH YOU WERE HERE – ANDY RAUSCH CHILDHOOD’S END – A. B PATTERSON WAITING FOR THE WORMS – PAUL WILLIAMS
Indie publisher CLOSE TO THE BONE has made a handfull of their eBooks available for ONLY 99c/99p.
JW: When did you begin your career as a writer /editor of pulp writing, Maxim?
MJ: I never meant to specifically be involved in what you term ‘pulp’. From early childhood I was an avid reader and quickly found out that I actually wanted to write stories and all followed from there. My early tastes (and career) were for science fiction and fantasy, although I also read a lot of crime and I began publishing my first stories in magazines in France, where I was then living, from the age of 16. But because I was bilingual I read and was aware of what was being written in English and one day convinced a Paris publishing house to allow me to edit a volume of the latest in British SF, and that became my first anthology.
JW: Any favourite pulp writers?
MJ: Cornell Woolrich, Dashiell Hammett, Jim Thompson, David Goodis, Fritz Leiber, many of which I Iater had the opportunity to publish when I began work in publishing per se
JW: What makes a good crime/suspense novel?
MJ: If I knew, I would have written it. As it is I keep trying again and again and as soon as a new novel of mine is published, I realise I can do better and start another! It’s very much in the eye of the beholder, the right alchemical blend of locale, characters, plot and feelings.
JW: What did you think of the film version of Get Carter? Do crime novels tend to make good films, when adapted?
MJ: I’m a great fan of it (and actually director Mike Hodges is a good friend of mine; and I published his first novel a few years back). Although it differs greatly from the book which is equally good. Generally I prefer original scripts to book adaptations, but a few do stand out like Carter or Falling Angel or turn out even better in the case of The Godfather, which maybe points to the fact that mediocre books can make great movies while important ones do not, as they already occupy a level which even film at its best can’t reach.
JW: Are there any writers that you could tell would become a huge successes through their early writing?
MJ. Lots of new writers have impressed me immensely; even more so as for past 6 years I’ve been a judge for the Crime Writers’ Association First Novel Dagger so seen a lot of debuts, but as to predict who is going to be ‘big’, so much depends on marketing spend and promo publishers allow it and the unpredictable quirks of the book trade. Have spent most of my life in book publishing and all too aware that quality is not always the issue. Right now my two tips for the future are Chris Whitaker and Lou Berney but who knows if they will make it big.
JW: Do you have a new collection of stories that you are editing, Maxim?
MJ: Am currently editing the 3rd volume in what I hope will become a regular series of anthologies, each on a different mystery theme, for US publishers Mango. First one, Historical, has just been published. Next, Amateur Sleuths and Private Eyes is delivered and out in autumn and now working on 3rd, Impossible Crimes and Puzzling Deaths, for 2020. And my fairly major general crime anthology Invisible Blood appears in UK and USA next month, with stories from many of the biggest names in the genre, including a new Jack Reacher tale by Lee Child.
I had taken 4 years off editing anthologies as I was busy on a series of books outside the genre, eleven in all, most of which made the Sunday Times bestseller lists, albeit under a pseudonym.
Edited by Paul D. Brazill and Luca Veste. Introduction by Maxim Jakubowski.
The Line Up:
1. Two Fingers of Noir by Alan Griffiths
2. Eat Shit by Tony Black
3. Baby Face And Irn Bru by Allan Guthrie
4. Pretty Hot T’Ing by Adrian Magson
5. Black Betty by Sheila Quigley
6. Payback: With Interest by Matt Hilton
7. Looking for Jamie by Iain Rowan
8. Stones in Me Pocket by Nigel Bird
9. The Catch and The Fall by Luke Block
10. A Long Time Coming by Paul Grzegorzek
11. Loose Ends by Gary Dobbs
12. Graduation Day by Malcolm Holt
13. Cry Baby by Victoria Watson
14. The Savage World of Men by Richard Godwin
15. Hard Boiled Poem (a mystery) by Alan Savage
16. A Dirty Job by Sue Harding
17. Stay Free by Nick Quantrill
18. The Best Days of My Life by Steven Porter
19. Hanging Stanley by Jason Michel
20. The Wrong Place to Die by Nick Triplow
21. Coffin Boy by Nick Mott
22. Meat Is Murder by Colin Graham
23. Adult Education by Graham Smith
24. A Public Service by Col Bury
25. Hero by Pete Sortwell
26. Snapshots by Paul D Brazill
27. Smoked by Luca Veste
28. Geraldine by Andy Rivers
29. A Minimum of Reason by Nick Boldock
30. Dope on a Rope by Darren Sant
31. A Speck of Dust by David Barber
32. Hard Times by Ian Ayris
33. Never Ending by McDroll
34. Imagining by Ben Cheetham
35. Escalator by Jim Hilton
36. Faces by Frank Duffy
37. A Day In The Death Of Stafford Plank by Stuart Ayris
38. The Plebitarian by Danny Hogan
39. King Edward by Gerard Brennan
40. This Is Glasgow by Steven Miscandlon
41. Brit Grit by Charlie Wade
42. Five Bags Of Billy by Charlie Williams
43. It Could Be You by Julie Morrigan
44. No Shortcuts by Howard Linskey
45. The Great Pretender by Ray Banks
45 British writers, 45 short stories. All coming together to produce an anthology, benefiting two charities…
“The BRIT GRIT mob is coming to kick down your door with hobnailed boots. Kitchen-sink noir; petty-thief-louts; lives of quiet desperation; sharp, blood-stained slices of life; booze-sodden brawls from the bottom of the barrel and comedy that’s as black as it’s bitter—this is TRUE BRIT GRIT!”
Throughout the years countless wordsmiths have produced their own story collections, but the book you are now holding is a love letter to the great anthologies of yesteryear, assembling stories by a variety of talents, packaged neatly and often connected by a singular theme.
Patricia Abbott’s Monkey Justice stands head and shoulders above almost all short story collections out there. This is a mature and assured collection of brilliant stories that show us a great deal about the lives of the wide range of characters.
Personal favourites include ‘The Instrument Of Her Desire’, ‘Georgie’ and ‘The Squatter’ but there really isn’t a duff story in this fantastic, brilliantly written collection which spans noir, crime fiction, slice-of-life, gothic and just ace writing.
America may well be the official home of pulp and noir but the United Kingdom, long perceived as the land of tame Dame Agatha style cozies and stuck-up, Latin quoting police detectives, also has a grubby underbelly which has produced plenty of gritty crime writing. And there is a new wave of Brit Grit writers leaving their bloodstained footprints across this septic isle, too.
The godfathers of the new Brit Grit could well be Ted Lewis, Derek Raymond and Mark Timlin with Jake Arnott, J J Connolly, Ian Rankin and Val McDermid as part of the next wave.
But in the last few years, more and more BRIT GRIT writers have been creeping out of the woodwork, through the cracks in the pavement, out of the dark and dingy alleyways.
Scottish crime writer Tony Black, for example, is the author of four novels featuring punch drunk, booze addled Gus Dury, an ex journalist turned reluctant Private Investigator whose shoulder has more chips than Harry Ramsden. The books see Gus sniff around the back streets of Edinburgh and follow the rancid trail of crime and corruption right to to the top. They’re gruelling, intense and exciting journeys – not without moments of humour and tenderness. You may feel as if you’d like to give Gus a smack every few pages but the pit bull proves himself again and again.
Gus Dury may be in the gutter but he’s still looking at the stars, albeit through the bottom of a bottle of whisky. And it’s down to Black’s great writing that when you you finish one of his novels you feel battered and bruised but can’t wait for the next round.
Otto Penzler famously said that noir is about losers and not private investigators. Mr Penzler has probably never read any Tony Black – or fellow Scot Ray Banks, then. Banks’ Cal Inness quartet is the real deal. Inness is true loser. He’s a screw up. A lush. A mess. A man so far in denial he’s in the Suez. In each brilliant tale he bangs his head against as many brick walls as he can. And he feels the pain. And so do we. The quartet is as bitter and dark as an Irish coffee and leads to a shocking yet inevitable conclusion.
And there’s more: There’s Alan Guthrie who gave us the best novel of 2009 with SLAMMER; Nick Quantrill ‘Broken Dreams’ which looks at a Northern English town that has had it’s fair shair of kickings but still isn’t out for the count; Bad Penny Blues is Cathi Unsworth’s ambitious look at the many facets of London in the late fifties and early sixies; Comic genius Charlie William’s and his nightclub bouncer hero Royston Blake help you see life in a way that Paulo Coelho never will!
And there’s even more …
There’s Howard Linskey, Martin Stanley, Jack Strange, Paul Heatley, Martina Cole, Ben Cheetham, Christopher Black, Martyn Waites,Allen Miles, Danny Hogan, Chris Leek, Gary Dobbs, Gareth Spark, Sheila Quigley, Ian Ayris, UV Ray, Danny King, Col Bury, Mark Billingham, Andrew Bell, Alan Griffiths (whose blog is aptly called BRIT GRIT), Julie Lewthwaite, Steve Mosby, Darren Sant, McDroll, Richard Godwin, Colin Graham, Neil White, Andy Rivers . . . and more! There’s even comic BRIT GRIT from Donna Moore and Christopher Brookmyre, BRIT GRIT thrillers from Matt Hilton and surrealist BRIT GRIT from Jason Michel!
And now, of course, we have True Brit Grit- A Charity Anthology edited by Luca Veste and me, with an introduction from Brit Grit mastermind Maxim Jakubowski. True Brit Grit is a hard-hitting, gritty, crime anthology from 45 British writers. All coming together to produce an anthology, benefiting two charities. The eBook is only 99c/99p!
“The BRIT GRIT mob is coming to kick down your door with hobnailed boots.
Kitchen-sink noir; petty-thief-louts; lives of quiet desperation; sharp,
blood-stained slices of life; booze-sodden brawls from the bottom of the barrel
and comedy that’s as black as it’s bitter–this is BRIT GRIT!”
(This is adapted from a piece that first appeared in the program for the 2010 Noircon and was later republished at Pulp Metal Magazine)
From out of the Wild West, gun on his hip, song on his lips, returns a historic hero of the silver screen in brand new stories. THE ADVENTURES OF THE BRONZE BUCKAROO is now available in print and idigtal formats from Pro Se Productions.
Portrayed by singer/actor Herb Jeffries, The Bronze Buckaroo, Bob Blake, appeared on screens in 1939 as the first African American singing cowboy. Cast in the mold of Gene Autry and Roy Rogers, The Buckaroos’ films had one major difference. They sported largely African American casts and were produced by African American companies. With four films usually listed as the Buckaroo’s legacy, this truly great moment in cinema history has been largely forgotten, except for film experts and fans of great stories. THE ADVENTURES OF THE BRONZE BUCKAROO features Michael Gonzales, Robert J. Randisi, John Lutz, Gary Phillips, Christopher Alan Chambers, Frankie Y. Bailey, and Percy Spurlark Parker, each giving their own take on the most unique Singing Cowboy to ever ride into a theater! Load your sixguns, saddle up, and get ready to charge into two fisted matinee movie action with THE ADVENTURES OF THE BRONZE BUCKAROO!
With a rip roaring cover and logo design by Jeffrey Hayes and print formatting by Marzia Marina and Antonino Lo Iacono, THE ADVENTURES OF THE BRONZE BUCKAROO is available now at Amazon and Pro Se’s own store for 11.99.
This unique anthology celebrating one of Hollywood’s best kept secrets is also available as an Ebook, designed and formatted by Lo Iacono and Marina for only $2.99 for the Kindle at Amazon The book is also available on Kindle Unlimited, which means Kindle Unlimited Members can read for free.