The Fool by BRUCH out FRIDAY 30.10!

The new, 4th album by “Sir of the Vienna Underground” BRUCH, The Fool, is out this FRI, 30.10. on LP // CD // digital.

THE FOOL unveils the beauty of Vienna-based Philipp Hanich alias Bruch’s versatile persona that takes us deep down into personal battles and witnesses the soul of a true rock’n’roll maverick. Big range of emotions are blended in rough and minimal synthwave rock that gets under your skin and sets your nerves tingling. 

“This is the essence of archaic rock ’n’ roll reverb in synthetic cathedrals. Hypothermic, mannerist super album. // 14 hymns between destructive, dark rock’n’roll and world-hugging pop, nervously flickering new wave and repetitive post punk.” – Radio FM4.

Black 12″ vinyl LP (incl. insert /w lyrics ). 12 tracks. Includes digital pre-order of The Fool. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

CD version of THE FOOL +++ incl. 2 more tracks (!!!) +++ than the LP version. Comes in shiny gatefold card case + inlay /w lyrics. Includes digital pre-order of The Fool. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

Digital Album. Pre-order of The Fool. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

https://www.facebook.com/BruchVienna/

Recommended Read: Blood by Choice by Rob Pierce

Uncle Dust is out for revenge after two woman an a child are murdered. Teaming up with his old crony Karma, he sets about killing the perpetrators.

Rob Pierce’s Blood By Choice is a brutal gut-punch of lowlife crime fiction with a great cast of characters. Cracking stuff.

Bishop Rider Week: Monday – Fire In The Hole by Beau Johnson

This story is part of Rider’s early days, before he finds a certain video and tracks down the men who killed his mother and sister. This is also Batista’s first appearance in a Rider story, and as you’ll see, the Detective isn’t as onboard with Bishop’s brand of justice as he’d come to be. Either way: the struggle begins.        

FIRE IN THE HOLE

I push the steel harder into the back of Terrance’s shaved head. 

            “C’mon,” he says. “You and me, Rider, we’ve similar goals.”  The scum was right as well as wrong.  Where I saw him and his kind as a means to an end, he only wanted atop the pile.  “We’re businessmen, you and I.  Way I see it, the info I’m givin’ you, I should be gettin’ a free pass.” 

“Anne-Marie Shields.  Did she get a pass?”  Terrance was smart, played dumb, but I already knew.   Put a bullet in his crotch to make him understand.  I unloaded the remaining five just to let off steam.

            “And this piece of shit, this Terrance, he said Toomey and his men are coming in night after next?”  Batista continued to look out over Culver, the city he’d sworn to protect.  Duty and honor are the things which make up Detective John Batista; what made up most of the men he stood in line with.  That he now found himself in my world was something we rarely discussed.  It was a given, what I did.  And he’d yet to try and turn me in.

In him I see myself, a time when belief had been the norm; that this world did in fact not kick at its dead.  Detective Batista and I, we have our demons, sure, each the thing that drives us on.  But to be fair, that is where the similarities end.  No matter how much he might think otherwise.

Toomey, though…Toomey was the here and now.  And Toomey was trouble.  Aggressive. Ruthless.  Feral.  He was high end too, lacking the moral compass most considered a conscience.  Word on the street was he kept a portable wood chipper now, and that the man was unafraid to take his time if given the chance. 

Bangers wouldn’t use him, slingers either, which left me two choices, both of which I could work with.  Russians or Italians.  Little more re-con and Bobby Carmine popped into view.

“Head-shit looking to take you out, I see.”  Batista runs a hand through his greying hair, goes down about his goatee and finishes with a sigh.  Politics notwithstanding, I swear the man’s as textbook as they come.

“What it looks like, yeah.”

“And just what is it you want from me?”  I looked to the city’s lights behind him, looked down into the valley which had claimed so many.  Culver was not the place I’d been born, but I was certain it’d be the place I’d die.       

“I want unobstructed access to the south side when this goes down.  I’m not looking for collateral damage.  Ensure the night’s patrol is light.”

He looks at me, shakes his head, and then says he’d work on it: Batista-speak for yes.

“You’re going to need ordnance, then.”  I told him yes, but that it wouldn’t be coming from him.  As ever, he’d already done more than enough. 

Outside Carmine’s place I load the launcher as soon as I see Toomey and his crew are given the go through.  Ten minutes later and I light the night.  Upon entering, I can’t help but think back to men like Toomey.  Hell, to men like Carmine himself.  Lowlifes who think they deserve; men arrogant enough to believe the streets were theirs; who would rob and kill and extort and have others do the very same thing in their name.  I picture Mick the Fish, Danny Dolan, and Marcel Abrum.  They were special, each of them, all receiving a little extra piece of my time.  To Toomey I would do the same.  He of the wood chipper fame deserved no less.

As the Kevlar takes two to the chest I turn, dive, but take one in the side of the leg as I return fire.  I hear a click.  Another.  And then the gun as it’s tossed aside. 

“Come if yer comin’ goddammit!”  I did.  It was Toomey, of course.  Why men like him never died like the rest of them I will never know for sure.

Through the debris and flame and smoke I see what he’s become—intestines that stream outwards, flowing in place of his legs.  Thick, they wind around brick and plaster like pregnant string.  He gurgles, spits up, and as I approach I step on as much of him as I can.  In the end I don’t need bullets.  I only look him in the eye. 

To protect and serve, Batista says.  To protect and save, I respond.

I admit the difference is vast.

Beau Johnson lives in Canada with his wife and three boys. He has been published before, usually on the darker side of town. Such fine establishments might include Out of the Gutter Online, Spelk Fiction, Shotgun Honey and the Molotov Cocktail. Besides writing, Beau enjoys golfing, pushing off Boats and certain Giant Tigers.

Find Beau Johnson online …

Website: https://www.beaujohnsonfiction.com/
Facebook: https://www.facebook.com/profile.php?id=100007691865781
Twitter: https://twitter.com/beaujohnson44
Amazon Author Page: https://www.amazon.com/Beau-Johnson/e/B079MHF7RG/
Goodreads Author Page: https://www.goodreads.com/author/show/17692442.Beau_Johnson

Out Now! Nothing Ventured Nothing Gained by The Fabulous Artisans

Stereogram Recordings are delighted to announce the release of “Nothing Ventured, Nothing Gained” a brand new track by The Fabulous Artisans on September 25th. It was mostly recorded prior to lockdown, with finishing touches, mix and mastering completed in July.

Founded in 2007 and named after the iconic Orange Juice track, The Fabulous Artisans is a collaboration between Glasgow based Oscar and BAFTA award winning actor, former stand-up comic and singer Neil Crossan and Edinburgh based songwriter, singer, multi-instrumentalist and producer Jeremy Thoms (also of The Cathode Ray and Stereogram label boss). “With a sound fed from Bacharach to Barry, Brel to Bowie, Cave to Collins, Magazine to Morricone and Wilson to Walker, this is timeless music for or from any era…

Written, arranged and produced by Jeremy Thoms, “Nothing Ventured Nothing Gained” is only the fourth new track The Fabulous Artisans have released since their warmly received debut album “…From Red to Blue” came out on Swedish indie label Bendi Records in 2008. It continues their lineage of mixing up the classic pop sounds of the past with a modern twist, whilst adding their characteristic big lyrical themes of life and death.

Released September 25, 2020

Lead vocals: Neil Crossan
Written, produced and arranged by Jeremy Thoms.

Experimental post-punk project, Abrasive Trees release three-track debut

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Experimental post-punk project, Abrasive Trees have announced the release of a three-track single Bound For An Infinite Sea on Wise Queen Records/Shapta on Friday 4th September.

The title track, a driven, layered and atmospheric song with spectral, intricate guitars – sits alongside two more ambient, immersive tracks and features vintage drum-machines, acoustic drums recorded in a Victorian rectory and an array of acclaimed musicians.

Abrasive Treesis the solo project of Scottish-born guitarist and singer Matthew Rochford.  About the release he said:

 “These songs are a bit dark, but there’s also a positive energy behind them. In essence they are about the importance of staying compassionate – whatever the circumstances.  The title track is actually about witnessing suffering and finding a way to be empowered to do something meaningful in the face of sorrow.  There is so much intensity in this world and it can get a bit overwhelming can’t it?  I wrote and recorded these three songs amidst loss so there’s heartbreak, but also something hopeful and spiritual that I hope will connect with how others might be feeling right now.

“Creating music is simultaneously a release for me and an offering to those who feel that ‘just coping’ is a good day.  I think being a musician you learn the value of being in the moment and expressing what needs to be expressed. During this strange time, it’s especially important to me to stay present in a positive way and this single is part of that.

Matthew is a former member of Jo-Beth Young’s live and studio bands for RISE and Talitha Rise as well as being in the post-punk bands Council of Giants, The Impossible Moon and a recent Rothko collaborator.

The production features an line-up of collaborators including Jo Beth Young (RISE/Talitha Rise), Steven Hill (Evi Vine), Mark Parsons (Eat Lights Become Lights) and Matthew’s brother, Sebastian (Polar Bear/Pulled By Magnets).  The single was mixed and mastered by Mark Beazley (Rothko/The Band Of Holy Joy).

All three tracks are available on limited-edition cassette or CD or download from their bandcamp page on Friday 4th September as well as streaming via all the usual platforms.  A video to accompany the release (by visual artist Jess Wooler) will premier on the day prior to release.

Bio:  Abrasive Trees is the creative vehicle for the music of Matthew Rochford. 

Matthew was born in Aberdeen to Anglo-Indian/Anglo-Irish parents and has been playing guitar since he was a child. He’s a former member of Jo-Beth Young’s live and studio bands for RISE and Talitha Rise as well as being in the post-punk bands Council of Giants and The Impossible Moon. This year he has been recording for Mark Beazley’s Rothko and Jo Beth Young.

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The approach is experimental and immersive and the sound could be described as spectral, layered and brooding with intricate, drone-drenched guitars.  The overall energy owes as much to post-punk as it does to ambient psychedelia, grunge or post-rock.

Strings, dulcimers, guitars that sound like old synths or sitars, voices in the distance and stories that take you somewhere. Esoteric bass, analogue drum machines and acoustic drums recorded in a Victorian house all help to forge the sound.

As well as writing the music, lyrics and producing, Matthew also sings, plays guitars, dulcimer, Ebow and programmes the analogue drum machine.

The debut single and video is scheduled for release September 2020 via Wise Queen Records with an album following in 2021.

An array of accomplished collaborators have contributed to the project so far, both live and in the studio:

Nadia Abdelaziz – Voice, Dulcimer

Ffion Atkinson (Johnny Powell and The Seasonal Beasts) – Voice

Mark Beazley (Rothko/Band of Holy Joy) – Electric Bass

​Laurence Collyer (Diamond Family Archive) – Shruti Box, Steel Guitar

Steven Hill (Evi Vine) – Guitars

​Jay Newton (Quiet Quiet Band)  – Keys

Mark Parsons (Eat Lights Become Lights) – Electric Bass

Ben Roberts (Evi Vine) – Cello

Seb Rochford (Polar Bear/Pulled By Magnets) – Drums

Peter Yates (Fields of The Nephilim) – Guitars

Jo-Beth Young (Talitha Rise/RISE/Yates & Young) – Voice, Guitars, Percussion, Tibetan Bowl, Recorder

Appearing on this single:

Steven Hill – Guitars

Mark Parsons – Electric Bass

Matthew Rochford – Vocals, Guitars, Drum Machine

Sebastian Rochford – Drums

Jo-Beth Young – Additional Voice

 Written and Produced by Matthew Rochford

Mixed and Mastered by Mark Beazley

Released by Wise Queen Records/Shapta

Publishing: Speegra

 

Big Gold Dream

big gold dreamFrom Wikipedia:

‘Big Gold Dream is a 2015 film documenting the story of Scotland’s post-punk scene, focusing on record labels Fast Product and Postcard Records. Directed by filmmaker Grant McPhee, the film’s name is taken from the 1981 Fire Engines single of the same name, the final release on the Pop Aural label. The film won the 2015 Edinburgh International Film Festival Audience Award.

 

 

Johnny Britton

johnny britton
Johnny Britton’s career has beaten a strident path as an innovator through the cutting-edge first wave of punk, the sophistication of post punk, as a solo artiste protégé, a catalyst for new acts, as an in-demand singer/musician in the prominent musical groups Subway Sect and Orange Juice and the DJ of Soho’s Club Left and the WOMAD festivals
Singer/guitarist with Subway Sect, Orange Juice and solo artist protégé of Clash/Specials/Dexys/Subway Sect/Joboxers manager Bernard Rhodes.
This album is a ‘best of’ encompassing the wide range of musical styles in the world of Johnny Britton, from his singles ‘The One That Got Away’ and ‘Perpetual Emotion’, to rare acoustic Latin, Cool Bop and Swing, Punk and Classic Rock. Many of these tracks are now heard for the very first time.

credits

released November 23, 2018

MUSICIANS
Johnny Britton: vocals, guitars
Chris Bostock: spanish guitar, bass
Sean McLusky: drums, percussion
Rob Marche: electric guitar
DC Collard: keyboards, bass, trumpet
Alfonso: Bass
Charlie Llewellin: drums

Peter Hall – There’s Something Wrong With Everyone

THE BEAUTIFUL MUSIC

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peter hall

Peter Hall may not be a familiar name to most of you but hopefully that will soon change, as he is an incredibly talented musician, that is just waiting to be discovered. Some may recognize the name as the person  behind the wonderful band Play People who first recorded two EP’s on the brilliant This Almighty Pop! label run by a person with impeccable taste, Stephen Maughan (of Bulldozer Crash, Kosmonaut and The Memory Fades) and a 7” single on another highly regarded label Cloudberry Records (run by Roque Ruiz, who is one of the most knowledgeable people in the indie pop world). So already with a pedigree like that, you know it is going to be excellent and we are immensely proud to have it as a Beautiful Music release.

This EP combines beautiful melodies with intelligent lyrics, and will bring to mind bands like Aztec Camera, The Lilac Time, Elliot Smith, Delta, Captain Soul, January, Paul Weller, and Nick Heyward’s recent release “Woodland Echoes” and probably several other Scottish Pop bands and maybe even with a hint of mod thrown in as an influence.

Janglepophub mentions a few more, if you are looking for possible similarities: “the two stripped back tracks of Hold Me and She Fell From The Sky, visit Tame Impala / De Marco style semi chill jangle and piano-less Nick Batterham guitar strums respectively, whilst maintaining definitive originality by adding the sort of smooth, rounded production, that just about slides into sophisti-pop territory.” “However, it is when his music ventures into mid-tempo and increases the ‘surroundsound’, that the EP really reaches it’s heights. Blood Flow and Everything is Fading Fast (both below) are able to take their place alongside modern guitar pop luminaries like Dropkick, The Boy With Perpetual Nervousness … as volumes of melodic intent bubble to the surface with a lack of intensity that borders on ‘summer perfect’.”

And to quote When You Motor Away: “We are not particularly familiar with UK artist Peter Hall, but the four tracks on “There’s Something Wrong With Everyone” have made fans of us. This is intimate, carefully crafted and richly melodic indie pop that has lifted our spirits today. We suggest it may well do the same for you. There may be something wrong with everyone, but there is nothing wrong about this EP.”

Give Peter Hall a listen, and you will be richly rewarded. As a bonus, we even threw in an extra hidden track as a surprise, but you will need to get a copy of the EP to discover that :).

“Peter Hall – There’s Something Wrong With Everyone is available as a CD (Beauty 048) directly from The Beautiful Music’s secure, PayPal-enabled ordering portal at www.thebeautifulmusic.comand a few select online distributers. Digital release also available on Peter Hall’s Bandcamp page.

Peter Hall Bandcamp: https://peterhallmusic.bandcamp.com/
Peter Hall Instagram: https://www.instagram.com/peterhallmusic/