Out NOW! Delete by Liz Davinci

The second single, “Delete“, from Liz Davinci‘s forthcoming album “Pax Victoria” has just been released.


The song is loosely about learning how to cope with inappropriate or negative behaviour disguising itself over social media platforms as “sharing”. 

You can listen to Delete here:
https://open.spotify.com/album/1bICZutmetgWRxVIWNhd1O?si=sPhUO0MIQ9iwBs2yzcDKkQ

Liz is collaborating with several professional writers on her concept album “Pax Victoria“, including Paul D. Brazill, Mark McConville, Kate Laity, James Shaffer and Underhatchet.

Liz Davinci
Website:  http://www.lizdavinci.com
Instagram:  https://www.instagram.com/elizabethdavinci/Twitter:  https://mobile.twitter.com/liz_davinci
YouTube: https://m.youtube.com/channel/UCdL2tbjQ3jP-BCBDfaw5tLgSpotify: https://open.spotify.com/artist/3Ig4gDOSor8cwhOLxqjhvr?si=5qMNL0agRFuKLgqybGJQ2w
Reverb Nation:  https://www.reverbnation.com/elizabeth25
Facebook: https://www.facebook.com/liz.davinci940

SoundCloud:https://soundcloud.com/user-526988818
Bandcamp:https://lizdavinci.bandcamp.com

THE DUPONT CIRCLES: In Search of the Family Gredunza

THE DUPONT CIRCLES:

– In Search of the Family Gredunza (beauty 039)

Out Now on The Beautiful Music

Thirty years in the making and it is finally here, and we are so excited to be finally releasing the long-anticipated debut album by The Dupont Circles, a band that has been lost in time, but are now ready to be rediscovered. We have been working on this album for about five years and the recordings span a period of about 30 years. They were formed originally as The Spills in 1988 in Washington D.C. and morphed into The Dupont Circles, with their early recordings dating back to several rare 7” singles on the Cara Records label – “Sarah The Weather Girl” in 1995 and “The 53 Bicycles EP” in 1998 and after that several appearances on compilations, on some pretty cool labels like March Records, Planting Seeds Records, Japan’s Rover Records, and Italy’s Lost In Tyme label, not to mention a contribution to our very own Television Personalities tribute series.

Track Listing: 1) Everywhere Girl 2) Man In The Snuff Shop 3) Joke’s On Zandra 4) Wonder 5) Get Down Off My Back 6) Tick Tock 7) Sputnik 8) My Picasso Girlfriend 9) Locked away 10) Sarah The Weather Girl 11) On The Bus 12) 53 Bicycles 13) Tales Of Flossie Fillet 14) The Trip 15) How I Learned To Love The Bomb  

Described by one magazine as “psych-tinged indie pop of the post-TV Personalities variety,” The Dupont Circles merge their love of 60’s UK pop-psych and U.S. garage rock with their fondness for C86 era indiepop jangle to come up with a set of songs that tickle the ear and keep the listener coming back for more.  Likened by reviewers to early Creation and Flying Nun recording artists, “Chronic Town era R.E.M.,” and of course the Television Personalities, The Dupont Circles set melodies “last heard of coming from a bakelite transistor somewhere in pre-Profumo era Britain” to a musical pallet “packed with a cabinet full of lysergic trimmings.”  The paisley infused songs feature an eclectic cast of characters from the Syd Barrett/Ray Davies school of songwriting, including shopkeepers, circus fleas, pulp fiction detectives, and insomniacs.

An interview with The Dupont Circles in Lost In Tyme magazine referred to “the band’s usual glacial pace”, a phrase that takes on added meaning when you consider how long it has taken to get this album finally released. A common lament of reviews of the two 7”s is that the band’s releases are so infrequent.  As one reviewer commented, “What is really sad is that The Dupont Circles are one of the best bands out there right now, but they have only two 7″s and a few compilation tracks. Someone please light a fire under this band and get them working again” (Kissing The Cat). Well we helped do that and we are happy to say that what the band lacks in speed, they certainly make up for it in quality and creativity, as can be heard on this collection of brilliant songs. Sit back and enjoy The Dupont Circles “In Search Of The Family Gredunza”.

“The Dupont Circles – In Search Of The Family Gredunza” is available as a CD (Beauty 039) directly from The Beautiful Music’s secure, PayPal-enabled ordering portal at www.thebeautifulmusic.com and also from select quality distributors.

The Dupont Circles info:      https://thedupontcircles.bandcamp.com/  or  https://dupontcircles.com/

Out Now! Nothing Ventured Nothing Gained by The Fabulous Artisans

Stereogram Recordings are delighted to announce the release of “Nothing Ventured, Nothing Gained” a brand new track by The Fabulous Artisans on September 25th. It was mostly recorded prior to lockdown, with finishing touches, mix and mastering completed in July.

Founded in 2007 and named after the iconic Orange Juice track, The Fabulous Artisans is a collaboration between Glasgow based Oscar and BAFTA award winning actor, former stand-up comic and singer Neil Crossan and Edinburgh based songwriter, singer, multi-instrumentalist and producer Jeremy Thoms (also of The Cathode Ray and Stereogram label boss). “With a sound fed from Bacharach to Barry, Brel to Bowie, Cave to Collins, Magazine to Morricone and Wilson to Walker, this is timeless music for or from any era…

Written, arranged and produced by Jeremy Thoms, “Nothing Ventured Nothing Gained” is only the fourth new track The Fabulous Artisans have released since their warmly received debut album “…From Red to Blue” came out on Swedish indie label Bendi Records in 2008. It continues their lineage of mixing up the classic pop sounds of the past with a modern twist, whilst adding their characteristic big lyrical themes of life and death.

Released September 25, 2020

Lead vocals: Neil Crossan
Written, produced and arranged by Jeremy Thoms.

SamHaiNe presents: Hainesville – Natural City

A cold winter night in the secret city.
A collection of short monologues and flash fictions highlighting some of the individuals that call Hainesville “Home”. These are stories about people who live outside the margins that define civility and exist in the moment on the edge of a razorblade.


This is a pulp future-present inspired by neo-noir, retro nostalgia and some cyberpunk aesthetics.

“NATURAL CITY”

Credits

released September 6, 2020

Written, Spoken & Produced (except where mentioned)
by Sam HaiNe
Directed by Sam HaiNe.

Tracks: 2 &15, produced by The Green Dutch (Jade Palace Guard)
Track: 3 produced by DJ QUAZZAR
Track: 5 features Theo Copeland reading as Richard Applegate
Track: 6 features Logan West as the Salesman
Track: 7 & 9 produced by $need the Jade Badger (Jade Palace Guard)
Track: 9 written by The Broke MC
Track: 14 produced by JK/47
Track 16: Originally produced and mixed live by Mr.Chi-202 & the Jade Badger (Jade Palace Guard)

Shout Out to :
AmorKillz, JK/47, The Green Dutch, The Jade Palace Guard,
New Retro Wave, Victim1ne/Thor, Vinyl Fatigue, Real Vision Radio,
Tha Night of the Goonz, DJ Polarity, Paul D. Brazil, the Taco Cartel, Ghost Decibels, Cutey Calamity, Cult Classic Goods, The Dead End Kids, 21215, Void Vision, Harlem-NYC, Philadelphia,
Crazy Eddie NYHC, Rec.Real, Anthony Danza, Broke MC,
Demetrius Daniels, J.Hexx Project, King Vision Ultra, Mia Tyler,
Logan West, The Foley-Mcnair-Fladness family, Chef Alison Fasano,
Terrence and everyone from O.L.L. class of 96′;
LyeBway, Chuck Locc, Dunny, Melo, Meter, Black
& everyone from 148th street, Sugar Hill, Harlem.

This album is dedicated to
the memory of Mark Levin of the High Road Cafe, R.I.P.

Experimental Post-Punk ABRASIVE TREES Release Three Track Single and Video

The experimental post-punk project, Abrasive Trees have announced the release of a three-track single and video Bound For An Infinite Sea on Wise Queen Records/Shapta today.

The title track, a driven, layered and atmospheric song with spectral, grungy, intricate guitars – sits alongside two more ambient, immersive tracks. The three-track single features haunting vocals, vintage drum-machines, acoustic drums recorded in a Victorian rectory and an array of acclaimed musicians.

Matthew said:

“It’s very touching seeing the response to the single and video so far from BBC Introducing, post-punk.com and many other great blogs.  The music is quite spectral and dark in places, but the intention behind it is to share feelings of compassion and empowerment when things are tough”

Abrasive Trees is the creative vehicle for Matthew Rochford (RISE/Jo-Beth Young/Council of Giants) and this single features Jo Beth Young (RISE/Talitha Rise), Steven Hill (Evi Vine), Mark Parsons (Eat Lights Become Lights) and Matthew’s brother, Sebastian (Polar Bear/Pulled By Magnets).  The single was mixed and mastered by Mark Beazley (Rothko/The Band Of Holy Joy).

Experimental post-punk project, Abrasive Trees release three-track debut

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Experimental post-punk project, Abrasive Trees have announced the release of a three-track single Bound For An Infinite Sea on Wise Queen Records/Shapta on Friday 4th September.

The title track, a driven, layered and atmospheric song with spectral, intricate guitars – sits alongside two more ambient, immersive tracks and features vintage drum-machines, acoustic drums recorded in a Victorian rectory and an array of acclaimed musicians.

Abrasive Treesis the solo project of Scottish-born guitarist and singer Matthew Rochford.  About the release he said:

 “These songs are a bit dark, but there’s also a positive energy behind them. In essence they are about the importance of staying compassionate – whatever the circumstances.  The title track is actually about witnessing suffering and finding a way to be empowered to do something meaningful in the face of sorrow.  There is so much intensity in this world and it can get a bit overwhelming can’t it?  I wrote and recorded these three songs amidst loss so there’s heartbreak, but also something hopeful and spiritual that I hope will connect with how others might be feeling right now.

“Creating music is simultaneously a release for me and an offering to those who feel that ‘just coping’ is a good day.  I think being a musician you learn the value of being in the moment and expressing what needs to be expressed. During this strange time, it’s especially important to me to stay present in a positive way and this single is part of that.

Matthew is a former member of Jo-Beth Young’s live and studio bands for RISE and Talitha Rise as well as being in the post-punk bands Council of Giants, The Impossible Moon and a recent Rothko collaborator.

The production features an line-up of collaborators including Jo Beth Young (RISE/Talitha Rise), Steven Hill (Evi Vine), Mark Parsons (Eat Lights Become Lights) and Matthew’s brother, Sebastian (Polar Bear/Pulled By Magnets).  The single was mixed and mastered by Mark Beazley (Rothko/The Band Of Holy Joy).

All three tracks are available on limited-edition cassette or CD or download from their bandcamp page on Friday 4th September as well as streaming via all the usual platforms.  A video to accompany the release (by visual artist Jess Wooler) will premier on the day prior to release.

Bio:  Abrasive Trees is the creative vehicle for the music of Matthew Rochford. 

Matthew was born in Aberdeen to Anglo-Indian/Anglo-Irish parents and has been playing guitar since he was a child. He’s a former member of Jo-Beth Young’s live and studio bands for RISE and Talitha Rise as well as being in the post-punk bands Council of Giants and The Impossible Moon. This year he has been recording for Mark Beazley’s Rothko and Jo Beth Young.

mail

The approach is experimental and immersive and the sound could be described as spectral, layered and brooding with intricate, drone-drenched guitars.  The overall energy owes as much to post-punk as it does to ambient psychedelia, grunge or post-rock.

Strings, dulcimers, guitars that sound like old synths or sitars, voices in the distance and stories that take you somewhere. Esoteric bass, analogue drum machines and acoustic drums recorded in a Victorian house all help to forge the sound.

As well as writing the music, lyrics and producing, Matthew also sings, plays guitars, dulcimer, Ebow and programmes the analogue drum machine.

The debut single and video is scheduled for release September 2020 via Wise Queen Records with an album following in 2021.

An array of accomplished collaborators have contributed to the project so far, both live and in the studio:

Nadia Abdelaziz – Voice, Dulcimer

Ffion Atkinson (Johnny Powell and The Seasonal Beasts) – Voice

Mark Beazley (Rothko/Band of Holy Joy) – Electric Bass

​Laurence Collyer (Diamond Family Archive) – Shruti Box, Steel Guitar

Steven Hill (Evi Vine) – Guitars

​Jay Newton (Quiet Quiet Band)  – Keys

Mark Parsons (Eat Lights Become Lights) – Electric Bass

Ben Roberts (Evi Vine) – Cello

Seb Rochford (Polar Bear/Pulled By Magnets) – Drums

Peter Yates (Fields of The Nephilim) – Guitars

Jo-Beth Young (Talitha Rise/RISE/Yates & Young) – Voice, Guitars, Percussion, Tibetan Bowl, Recorder

Appearing on this single:

Steven Hill – Guitars

Mark Parsons – Electric Bass

Matthew Rochford – Vocals, Guitars, Drum Machine

Sebastian Rochford – Drums

Jo-Beth Young – Additional Voice

 Written and Produced by Matthew Rochford

Mixed and Mastered by Mark Beazley

Released by Wise Queen Records/Shapta

Publishing: Speegra

 

Spellbound: The Story of John McGeoch

john mcgeoch

From Wikipedia:

John Alexander McGeoch (25 August 1955 – 4 March 2004) was a Scottish rock music guitarist who played with several bands of the post-punk era, including MagazineSiouxsie and the BansheesVisage, and Public Image Ltd.

He has been described as one of the most influential guitarists of his generation. In 1996 he was listed by Mojo in their “100 Greatest Guitarists of All Time” for his work on the Siouxsie and the Banshees song “Spellbound“. Signature characteristics of his playing style included an inventive arpeggiosstring harmonics, the uses of flanger and an occasional disregard for conventional scales.

Musician and producer Steve Albini praised McGeoch for his guitar playing with Magazine and Siouxsie and the Banshees, qualifying as “great choral swells, great scratches and buzzes, great dissonant noise and great squealy death noise What a guy” and further commenting: “anybody can make notes. There’s no trick. What is a trick and a good one is to make a guitar do things that don’t sound like a guitar at all. The point here is stretching the boundaries”.

Big Gold Dream

big gold dreamFrom Wikipedia:

‘Big Gold Dream is a 2015 film documenting the story of Scotland’s post-punk scene, focusing on record labels Fast Product and Postcard Records. Directed by filmmaker Grant McPhee, the film’s name is taken from the 1981 Fire Engines single of the same name, the final release on the Pop Aural label. The film won the 2015 Edinburgh International Film Festival Audience Award.

 

 

Johnny Britton

johnny britton
Johnny Britton’s career has beaten a strident path as an innovator through the cutting-edge first wave of punk, the sophistication of post punk, as a solo artiste protégé, a catalyst for new acts, as an in-demand singer/musician in the prominent musical groups Subway Sect and Orange Juice and the DJ of Soho’s Club Left and the WOMAD festivals
Singer/guitarist with Subway Sect, Orange Juice and solo artist protégé of Clash/Specials/Dexys/Subway Sect/Joboxers manager Bernard Rhodes.
This album is a ‘best of’ encompassing the wide range of musical styles in the world of Johnny Britton, from his singles ‘The One That Got Away’ and ‘Perpetual Emotion’, to rare acoustic Latin, Cool Bop and Swing, Punk and Classic Rock. Many of these tracks are now heard for the very first time.

credits

released November 23, 2018

MUSICIANS
Johnny Britton: vocals, guitars
Chris Bostock: spanish guitar, bass
Sean McLusky: drums, percussion
Rob Marche: electric guitar
DC Collard: keyboards, bass, trumpet
Alfonso: Bass
Charlie Llewellin: drums